SEVENTH AVENUE
by, Mark Halliday
Late Tuesday afternoon the romantic self weaves
up Seventh Avenue amid too many lookers, too many
feelers: romance hates democracy;
how can you be so great and golden inside
if your trunk is shouldered among other trunks
block after block, block after block--
you can't help glimpsing an otherness in others
that is not just surface: they ache,
their aches ache away north and south all Tuesday
in murmurous torsos like yours . . .
What apprehension blossoms even now in Manuel
shifting steaks at the ten-foot grill of Charley O's
beneath the towering chef's hat they make him wear?
When I was twenty I'd have written
that he was only thinking of Cadillacs and sex;
now I'm afraid he's just as worried as I am
about love vs. lesser things and the point of it all.
Manuel, stay there at the sizzling grill till midnight
and then just drink or sleep, man,
don't write poems--
do me that favor. It's loud enough already
out here on Seventh Avenue with that cat's boom box
and these three giggle girls being Madonna together
and that guy hawking wind-up titans wielding laser lances.
Who's Wordsworth for any extended period on Seventh Ave?
In this pre-dusk traffic you catch the hint
that Manuel and thou if seers at all are seers only
for seconds--now the steak, taxi, buttocks, headline
and wallet resume their charismatic claim to be what counts.
Soul on Seventh is a sometime on-off quick-flip thing . . .
What I want is a poem long as Seventh Avenue
to sprinkle gold on every oppressed minority,
every young woman's subtly female hips,
every sad and suspicious American face
every sad and suspicious American face
and the quiddity of every mud-tracked pizza shop;
proving, block after block, stanza by stanza
that I'm not just one skinny nervous pedestrian
that I'm not just one skinny nervous pedestrian
but the one who matters because he sees and says.
I want that. The Avenue grins and says
"You want, that? How does it feel to want?"
"You want, that? How does it feel to want?"
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